Blog
Beyond the Bottom End: Brian Bromberg on Tone, Taste, and Total Musicianship
Brian, illuminates his distinctive philosophy and approach to the instrument. He explores how he views the bass as both the harmonic foundation and a melodic voice. He elaborates on his upcoming projects featuring multiple bass parts, often tuned differently, to create layered textures that redefine what the instrument can express.
He shares how his perception of a great bassline has evolved-focusing less on complexity and more on serving the music with clarity, groove, and emotional purpose. His process of composition is revealed with his deeply intuitive and architectural approach, where every instrument occupies its own window of sonic space, much like windows in a musical building. As a producer & musician, Brian delves into how he intends to balance individualism and collective musicality, especially within jazz—a genre that thrives on personal expression yet demands holistic listening.
He highlights his commitment to producing music that breathes as a unified whole rather than showcasing isolated brilliance.
He also expresses his thoughts on the modern generation of musicians, foreseeing the need for a deeper connection between technique and humanity in music. While admiring young virtuosos, he emphasizes that true artistry comes from social interplay, harmonic understanding, and the ability to listen and respond.
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He shares how his perception of a great bassline has evolved-focusing less on complexity and more on serving the music with clarity, groove, and emotional purpose. His process of composition is revealed with his deeply intuitive and architectural approach, where every instrument occupies its own window of sonic space, much like windows in a musical building. As a producer & musician, Brian delves into how he intends to balance individualism and collective musicality, especially within jazz—a genre that thrives on personal expression yet demands holistic listening.
He highlights his commitment to producing music that breathes as a unified whole rather than showcasing isolated brilliance.
He also expresses his thoughts on the modern generation of musicians, foreseeing the need for a deeper connection between technique and humanity in music. While admiring young virtuosos, he emphasizes that true artistry comes from social interplay, harmonic understanding, and the ability to listen and respond.
Maaike den Dunnen
Maaike Den Dunnen, the Netherlands-based jazz vocalist, made a lasting impression in the latest season of the Made In New York Jazz Competition, securing the 2nd place spot. In addition to receiving a strong vote of support from fans, Maaike stood out to our panel of judges—Lenny White, Randy Brecker, and Mike Stern—who selected her as a winner for her beautiful performance and artistic clarity.
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The Made In New York Jazz Competition: New Features Set the Stage for Musicians to Shine Online
The Made In New York Jazz Competition is stepping up its game online, making it easier and more exciting for jazz musicians to connect with fans and get noticed. The competition's website, madeinnyjazz.com, has some cool new features that are a big deal for anyone who loves jazz and wants to make a name for themselves.
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A Lilt, a Bounce and the Smooth Simplicity of Nicole Zuraitis
Nicole Zuraitis caresses notes, bends them to blue, and keeps it gauzy and breathable: this is the new CD Hive Mind by the New York City songwriter-pianist. Her syncopation sizzles in The Inscription and the keys burn up while getting down to a gritty soul. Her cover of Jolene is astounding, heartbreaking, raw, and like a thousand points of sunlight. On this track, the piano is lovely and brilliant and added to the subtly thumping drums, makes this song a genuine standout.
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